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imposture Homework Impressionism (1870-1890) Mostly French artists Degas, Monet, Morisot, Pissarro, Renoir, Sisley. Impressionist icons ar brilliantly colored with paint applied in abrupt strokes that were mean to be combined in the viewers eye alternatively than by the painters brush. Whether their subjects were indoors or outside, these painters were primarily concerned with temporary do (e.g. Monets painting series of Notre Dame Cathedral in Rouen at diametric times of the day) and the way that light or sun dematerializes their subject matter. Post-Impressionism (all painters from France: Cezanne, Gauguin, Van Gogh, Seurat) - 1880s thro early nineties These painters shared dissatisfaction with the congeneric formlessness of Impressionist paintings its blurring of forms, which were the result of scattered brushstrokes (which had replaced the traditional drop of a drawn line). In contrast, the Post-Impressionists were not concerned with the documentary ap pearance of their subject matter. And how it looked at different time of the day.

lay the groundwork for a Modern Art largely establish on concepts, theories and the personal emotions of the artist, they each explored (unlike the Impressionists) in different directions: E.g. Seurat evolved a mosaic-like technique- pointillism- evolved from theories of color and optics of his time. Cezanne experimented in ways to do landscape and mute life compositions; Gauguin and Van Gogh centre on closed-door symbolism. In practice, painting out of doors as favored by Impressionist painters was replaced by a subdued and me thodical painting process, which generally c! ould take place unaccompanied inside the studio.If you fatality to get a full essay, grade it on our website: BestEssayCheap.com

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